1830s mode in Western and Western-influenced mode is marked with an emphasis on width , originally on the shoulders and then on the hips, in contrast to the narrow silhouettes dominated between 1800-1820.
Women's costumes feature larger arms than those worn in each period before or after, accompanied by elaborate hairstyles and large hats.
The last months of the 1830s witnessed the proliferation of revolutionary new technology - photography. Therefore, the photographic baby industry portrait preserved for the history of some of the first rare but priceless human images, - and therefore also our earliest preserved, life peeping into the "mode in action" - and its impact on everyday life and society. overall.
Video 1830s in Western fashion
Tren umum
The trend of Romanticism prevalent from the 1820s to the mid-1840s, with its emphasis on strong emotions as a source of aesthetic experience and its recognition of beauty, is reflected in fashion as in other arts. Historical clothing items include neck ruffs, ferronniÃÆ'¨res (ornamental headbands worn on the forehead), and arms based on previous period styles are very popular.
Innovation in roller printing on textiles introduces new clothing fabric. The rich colors like the Turkish reds of the 1820s are still found, but the subtle floral prints on the backdrop of light are gaining in popularity. More accurate printing eliminates the need for dark lines in print design, and new green dyes appear in unusual patterns of grass, ferns and flower motifs. The combination of florals and stripes is fashion.
Overall, the men's and women's fashion show width on the shoulders above the small waist. The men's coat is coated on the shoulders and on the chest, while the woman's shoulders tilt into the big sleeves.
Maps 1830s in Western fashion
Female Female Fashions
Overview
In the 1830s, the fashionable lingerie style had a large "leg of mutton" or "gigot" arm, above a large cone-shaped skirt, ideally with a narrow low back between (achieved through a corset). The spheres of women's clothing both above and below the waist are meant to make the waist look smaller than it is - this is the last rejection of the aesthetic influence of the last remnants of the imperial silhouette c. 1795-1825. Rigid heavy fabrics such as brocades turn back into style, and many of the 18th century dresses are torn down from the attic and cut into new clothes. The combination of slanted shoulders and very large arms in most of the arms (but narrowed to the small cuffs on the wrist) is quite different from the 1830s day dress.
Pelerin , tippets, or lace covers that cover the shoulders, are very popular (one of several devices, along with full upper arm and wide neck, to emphasize the shoulders and width).
Dress
The fashionable feminine figure, with sloping shoulders, round breasts, narrow waist and full hips, is emphasized in various ways by cutting and trimming dresses. Until about 1835, the small waist was reinforced with a wide belt (a mode that continued from the 1820s). Then the waist and belly are not tied but cut close to the body, and the corset starts tapering to a small point at the front waist. The fashionable corset now has a scratch to stack the breasts individually, and the corset is styled to emphasize this shape.
The evening gown has a very wide neckline and short, swollen arms up to the elbow of the fallen shoulder, and worn with long gloves. The width of the shoulders is often emphasized by the panel of fabrics collected or folded horizontally over the breast and around the shoulders.
Morning dresses generally have a high neckline, and shoulder width is emphasized with tippets or wide collars that rest on the gigot arm. Summer evening dress may have a wide and wide neck similar to evening dress, but with long sleeves. The skirt folded into a corset belt, and held out a linen or cotton skirt.
Around the year 1835, fashionable long-sleeve skirts for middle and upper middle-aged women dropped off an ankle length to the long floor.
Hairstyles and Headsets
The hairs of the early 1830s were split in the middle and worn curly, knots, and elaborate knots extending to both sides and rising from the forefront of the head. The lichen is a fashion, and is also surrounded on the ear and collected into a crested cobblestone.
Hats with large, half-circled fringes framing faces for street clothes, and decorated with trim, ribbon, and feathers.
Married women wear linen or cotton caps for everyday wear, trimmed with lace, ribbons, and frills, and tied under the chin. The hat was worn alone in the room and under the hat for street clothes.
For evening wear, hair ornaments include combs, ribbons, flowers, and gems worn; Other options include jets and turban.
Undergarments
Women's underwear consists of linen knee-length linen with straight elbow sleeve. The corset compresses the waist and the skirt is held in shape with a rigid, stiff skirt with tucks and cording. The full arm is supported by down-filled sleeve plumpers .
Outerwear
Horse riding consists of a high-necked and tight jacket with a fashionable down shoulder and large giant arms, worn over a high-collared shirt or chemisette, with matching skirts or matching skirts. High hat with veil worn.
The scarves were worn with short-sleeved evening gowns early in the decade, but they did not match the wide gigot arms in the mid-1830s.
The full length coat was worn until about 1836, when the mantle became shorter. A mantlet or scarf is a garment shaped like a cross between a shawl and a mantle, with points hanging in front. The burnous is a three-quarter long coat with a hood, named after a similar garment in Arabic. The palette is knee-length, with three capes and a crack for the arm, and the pardessus is a half or three-quarter long coat with a defined waist and arm.
For the night, a thick coat of velvet or satin, with a coat of fur or a coat of fur in cold climates, worn with evening gowns.
Footwear
Currently, men's clothing plates continue to show the ideal silhouette with broad shoulders, and narrow and tight waists.
Jas and vest
Skirts (in French red) are increasingly replacing the tail mantle for unofficial day-to-day wear. They are long calves, and may be double-breasted. Emphasis shoulders fall lower in arms; the sloping shoulders and the inflated arms of the head gradually shrink and then disappear. The vest or vest is single- or double-breasted, with a rolled shawl or (later) collar roped, and very tight around the waist. Vests are sometimes worn twice, with contrasting colors. A corset or a corset-like dress is worn by many men to draw the waistline. The most fashionable coat has a soft shoulder and chest, a feature that vanished after about 1837.
Trousers
Full trousers began to have modern fly-front closures, replacing the previous early fall. Breech remains a requirement for formal functions in English courts (as they will throughout the century). Breeches continue to be used for horseback riding and other country activities, especially in England, with high-fit boots.
Outerwear
Jubah worn with night wear. Coat with wide arm worn by day; this is often called a big cloak .
Hats and hairstyles
The crown of a high hat is less curved than in the previous period. Hair is generally separated to one side. Curly hair and sideburns remain fashionable, along with a mustache.
Style Gallery
- The 1830s fashion plates show the small and high waist that became the ideal of French fashion in the 1830s. Raincoat (left) and mantle morning (right).
- Frederik SÃÆ'¸dring wore a brocade vest with a high-velvet black collar. The front cover of the pants on the front can be seen clearly in this 1832 portrait. Watch the taper from the waistcoat to the tight waist.
- Antoine Julien Meffre-Rouzan from New Orleans was painted in Paris, 1833, in evening dress. The puff on the shoulders of his mantle is smaller than the one worn in the 1820s, and his vest has a little point on the front waist.
- 1834 portrait of Davy Crockett shows a fashionable black cravat worn with a wide turn-over collar.
- John C. Calhoun's portrait with a white formal cravat, dark coat, and a hooded or lined coat, 1834.
- Hans Christian Andersen's portrait shows the depth and breadth of the fashionable coat collar, 1836.
- A man from the Wilkes Family, 1838-40, wore a dark cravat. Her high coat collar spread and spread to her shoulders. The arm only has a little fullness in the sleeve.
- The owner of the zoo Edward Cross wore a red and black patterned vest with brown trousers and a black-tailed suit, cravat and hat, 1838.
Children mode
In this period, little boys wear tunic on pants, sometimes with round shirts squares below it. In the 1830s the skeleton has fallen out of fashion. The older boys put on a short jacket and pants with a bloated shirt.
The girls wore a simple version of the female fashion.
See also
- Victorian fashion
Note
References
- Ashelford, Jane: The Art of Dress: Clothing and Society 1500-1914 , Abrams, 1996. ISBNÃ, 0-8109-6317-5
- Goldthorpe, Caroline: From Queen to Empress: Victorian Dress 1837-1877 , Metropolitan Museum of Art, New York, 1988, ISBN Ã, 0-87099-535-9 (full text available online from Metropolitan Museum of Digital Art Collection)
- Payne, Blanche: History of Costumes from Ancient Egypt to the Twentieth Century , Harper & amp; Row, 1965. There is no ISBN for this edition; ASIN B0006BMNFS
- Takeda, Sharon Sadako, and Kaye Durland Spilker: Fashioning Fashion: European Dress in Detail, 1700 - 1915 , LACMA/Prestel USA 2010, ISBN 978-3-7913-5062-2
- Tortora, Phyllis, and Keith Eubank: Historical Costume Survey , second edition, Fairchild 1994 ISBNÃ, 1-56367-003-8
- Tozer, Jane and Sarah Levitt, Cloth Society: One Century People and Busanaya 1770-1870, Laura Ashley Press, ISBNÃ, 0-9508913-0-4
External links
- 1830 Fashion Male, ladies and children's plates from the Metropolitan Museum Art Museum
- Romantic Era: Fashions 1825-1845
- 1840s Men's Fashions - c. 1840 Men's Fashion Photos (Daguerreotypes) with Annotations
- An 1830s men's dresser at Victoriana.com
- 1830 Fashions at Staten Island Historical Society Online Database Collection
Source of the article : Wikipedia
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